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The Daily 2002

23 May
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  • May 22: Kaurism„ki, Nicholson, ...

    the 23.05.2002 at 11:00 PM - Updated on 12.06.2003 at 1:42 PM

    One of Finnish's finest, Aki Kaurism„ki, opened the 8th day of the Cannes film festival with his new film, The man without a past, the second part of his Finnish trilogy. "My social, economical and political, says Kaurism„ki, views of the state of society, moral...
  • The end credits

    the 23.05.2002 at 10:27 PM - Updated on 12.06.2003 at 1:40 PM

    And so another film ends...
  • Postwar music

    the 23.05.2002 at 8:20 PM - Updated on 12.06.2003 at 1:39 PM

    After winning various prizes (the Special Jury Prize at Clermont-Ferrand Festival, 2000's Prix de la Caméra d'Or for "Zamani Baraye Masti Asbha") Bahman Ghobadi is in Cannes to present his new film The Songs of my Homeland in the Un Certain Regard category. He's worked as first assistant on Abbas Kiarostami's...
  • Free of all constraints

    the 23.05.2002 at 7:54 PM - Updated on 12.06.2003 at 1:38 PM

    Unknown Pleasures, directed by Chinese filmmaker Jia Zhang-Ke, takes us to the center of China's youth tough realities: unemployed workers, isolation, ... "The English title of my film is the result of an observation I made about contemporary China. To avoid falling into hopelessness, people throw themselves into the...
  • Cannes Film Festival & Canal +

    the 23.05.2002 at 5:58 PM - Updated on 12.06.2003 at 1:32 PM

    After more then a 10 year collaboration, the Cannes film festival and the Canal + group 's shall continue their partnership until 2005.
  • Cars

    the 23.05.2002 at 4:49 PM - Updated on 12.06.2003 at 1:36 PM

    To celebrate Renault and the festival's 20th years partnership, 85 Velsatis are rolling on The Croisette, awaiting the many celebrities of the 55th Cannes film festival.
  • Prison opera

    the 23.05.2002 at 4:32 PM - Updated on 12.06.2003 at 1:38 PM

    Tomorrow la Scala ! is the fourth English film in competition after Mike Leigh's "All or nothing", Ken Loach's "Sweet Sixteen", and Shane Meadows' "Once upon a time in the Midlands" (La Quinzaine des réalisateurs). Francesca Lopez follows a small opera company in a maximum-security prison, starring Jessica...
  • Hiroshima

    the 23.05.2002 at 1:20 PM - Updated on 12.06.2003 at 1:46 PM

    "Do I really have the right to talk about the atom bomb dropped on Hiroshima ? (...) This subject has haunted me for more than half a century. Something within me urged me to talk about Hiroshima yet, at the same time, I felt a certain reticence. This dilemma arose from my very vivid memories of the fear of war. (...) Through...
  • Il Posto - restored version

    the 23.05.2002 at 12:59 PM - Updated on 12.06.2003 at 1:46 PM

    Winner of 1978's Golden Palm for "The Tree of Wooden Clogs", Ermanno Olmi's 1961's Il Posto is projected today at the salle Buñuel.
  • Indian melody

    the 23.05.2002 at 12:15 PM - Updated on 12.06.2003 at 1:46 PM

    Sanjay Leela Bhansali's Devdas, starring Shahrukh Khan (Devdas), and Aishwarya Rai (Paro), tells the saga of a man who's loved, loved, only loved. A surreal love. Beyond life. Based on the 1917's classic novel by Sarat Chandra Chattopadhyay, Devdas, is one of the most read books in India. It's an ode to love,...
  • Scorsese president

    the 23.05.2002 at 11:35 AM - Updated on 12.06.2003 at 1:46 PM

    The American filmmaker, winner of the Golden Palm for "Taxi Driver" and best director for "After Hours", Martin Scorsese will have to select the up and coming new talents of the Cinéfondation and the short films in competition. 2000 films coming from filmschools from all around the world were sent in since the...
  • The Father

    the 23.05.2002 at 6:52 AM - Updated on 12.06.2003 at 1:46 PM

    After 1999's controversial "Rosetta", winner of the Golden Palm and the Best Actress for Emilie Duquenne, Jean-Pierre and Luc Dardenne are back in Cannes for their new film, The Son. Written and directed by the two Belgium brothers, the film portrays an enigmatic character named Olivier (Olivier Gourmet). ...

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