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Resonances

by Alex Ritman - thenational.ae - 20 May 2012

A remarkable Thursday during a week in Cuba
The "portmanteau film set in the same city" concept is one that has risen in popularity over recent years, most notably with Paris Je t'aime and New York, I Love You. But this week at Cannes sees the world premiere of a Caribbean twist in the story, with some regional influence thrown in for...

by Peter Bradshaw - guardian.co.uk - 22 May 2012

Cannes 2012: Me and You (Io e Te) – review
Bernardo Bertolucci shows Cannes he's still a force to be reckoned with via this slight but intimate and charged two-handerThe spirit of the new wave is revived (albeit in apolitical form) by the 72-year-old Bernardo Bertolucci in his new film, a slight but engaging two-hander showing out of...

by Megan Lehmann - hollywoodreporter.com - 22 May 2012

Holy Motors: Cannes Review
French auteur Leos Carax returns with a film that's "exhilarating," "heartbreaking" and "completely bonkers."Exhilarating, opaque, heartbreaking and completely bonkers – French auteur Leos Carax’s so-called comeback film, Holy Motors, is a deliciously preposterous piece of filmmaking that...

by Jordan Mintzer - hollywoodreporter.com - 22 May 2012

Our Children: Cannes Review
Family tragedy intermingles with gender politics in a strong showing from Belgian auteur Joachim LafosseTurning a gruesome real-life incident into an arresting portrait of one woman¹s gradual slide towards the unspeakable, Our Children (A perdre la raison), an Un Certain Regard film, represents...

by Joan Dupont - nytimes.com - 22 May 2012

'On the Road' on the Big Screen
Cannes, France — “On the Road” looks like this festival’s biggest new-generation star-encrusted vehicle. Made in a spirit of fidelity to Jack Kerouac’s novel, the movie was produced by Roman Coppola for American Zoetrope and by France’s MK2. It was directed by Walter Salles of...