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Resonances
by Alex Ritman - thenational.ae - 20 May 2012
The "portmanteau film set in the same city" concept is one that has risen in popularity over recent years, most notably with Paris Je t'aime and New York, I Love You. But this week at Cannes sees the world premiere of a Caribbean twist in the story, with some regional influence thrown in for...
by Peter Bradshaw - guardian.co.uk - 22 May 2012
Bernardo Bertolucci shows Cannes he's still a force to be reckoned with via this slight but intimate and charged two-handerThe spirit of the new wave is revived (albeit in apolitical form) by the 72-year-old Bernardo Bertolucci in his new film, a slight but engaging two-hander showing out of...
by Megan Lehmann - hollywoodreporter.com - 22 May 2012
French auteur Leos Carax returns with a film that's "exhilarating," "heartbreaking" and "completely bonkers."Exhilarating, opaque, heartbreaking and completely bonkers – French auteur Leos Carax’s so-called comeback film, Holy Motors, is a deliciously preposterous piece of filmmaking that...
by Jordan Mintzer - hollywoodreporter.com - 22 May 2012
Family tragedy intermingles with gender politics in a strong showing from Belgian auteur Joachim LafosseTurning a gruesome real-life incident into an arresting portrait of one woman¹s gradual slide towards the unspeakable, Our Children (A perdre la raison), an Un Certain Regard film, represents...
by Joan Dupont - nytimes.com - 22 May 2012
Cannes, France — “On the Road” looks like this festival’s biggest new-generation star-encrusted vehicle. Made in a spirit of fidelity to Jack Kerouac’s novel, the movie was produced by Roman Coppola for American Zoetrope and by France’s MK2. It was directed by Walter Salles of...


















